A show is like a white camellia that begins to oxidize as it blooms. This oxidation of the camellia is perhaps the material on and with which to build a bridge with the past of blue pencils and red lights, and thus inquire about that show that never was, in that mechanical spring of 1969. Castelao and its time was the camellia censored in 1969, and from its oxidation comes the new CITAC show. PROCESSO 8868 is the result of an inquiry into what was, what could have been and what will never be as a result of an overwhelming currentness.